lundi 22 décembre 2008

jeudi 20 novembre 2008

Move my popotin and yours too !

DJ MUJAVA "Township Funk" (Warp)

lundi 17 novembre 2008

Coup De Coeur !

Comment résister à ces rythmes endiablés et à ce charisme félin!

Jessie Evans 'Scientist of love'
http://www.myspace.com/jessieevansmusic


dimanche 16 novembre 2008

When Hippies Were Hype !

Scorpio Rising by Kenneth Anger (1964)

mardi 21 octobre 2008

This is our band ! - an auto promotional message

'Cowboy Franck' by Wild Women & The Savages, live film by Art? No! 2008/10/11

http://www.myspace.com/wildwomenandthesavages

mardi 23 septembre 2008

How to Keep Your Husband Happy



The Cosmopolitans were a nifty little dance troupe-turned-rock combo that caught the fancy of swinging New Yorkers at the height of the punk/New Wave era. They are best-remembered for cutting one of the most infectious singles of the era: "(How to Keep Your) Husband Happy" b/w "Wild Moose Party" and "Dancin' Lesson," on the same Shake Records label that put out early releases by the dB's, Richard Hell and others.


As the Seventies bled into the Eighties, the Cosmopolitans' delightfully absurd and danceable party-rock creations inspired normally sedentary, shoe-gazing clubgoers to move their two left feet to the beat. Old Sixties dance steps like the Frug, the Jerk and the Swim were reborn, and hot new Eighties inventions like the "dB Drop" and the "Fleshtone Flank Step" - consult the aforementioned "Dancin' Lesson" for further elaboration - were brought to the floors of the hippest downtown rock clubs, including CBGB's, Max's Kansas City, Irving Plaza, Club 57, the Ritz, the Peppermint Lounge and Tier Three.

The group also ventured uptown (Hurrah) and over the river (Maxwell's, in Hoboken). In the anything-goes Eighties, these high-stepping terpsichoreans helped many a young man and woman make a splash at their next New Wave cotillion.

If Sam the Sham had been Samantha, if the Kingsmen had been Queens, if the Swingin' Medallions had been sorority sisters instead of frat boys, and if all of them had a schooled background in modern dance, then you might have some idea of the devilishly unique space the Cosmopolitans occupied. Think Shangri-La's meet Fleshtones, if you can wrap your mind around such a concept. The Cosmopolitans simultaneously referenced Sixties girl-group pop and party music; the DIY spirit of late-Seventies punk and power pop; the angular, driving minimalism of early-Eighties New Wave; and a timeless, well-cultivated sense of the absurd. And during their brief lifespan as a band, people got it. And now, you can too.

http://www.myspace.com/thecosmopolitans

dimanche 21 septembre 2008

There's a long time ago...

Hunters and Collectors-Talking to a Stranger. Un vieux souvenir qui émerge comme ça dont on ne sait où. Avec cette pointe de nostalgie qui nous fait sentir le petit vieux...

mercredi 3 septembre 2008

Master At Work

John Oswald: "Pluderphonic"

What is Plunderphonic?

Plunderphonics is a term originally coined by John Oswald for one of his recording projects, since applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition. There is no attempt to disguise the fact that the sounds making up the composition have been "borrowed" in this way, and sometimes the sounds may be taken from very familiar sources. Plunderphonics can be considered a form of sound collage.

Although the concept of plunderphonics is seemingly broad, in practice there are many common themes used in what is normally called plunderphonic music. This includes heavy sampling of educational videos of the 1950's, news reports, radio shows, or anything with trained vocal announcers. Ca

The process of sampling other sources is found in various genres (notably hip-hop), but in plunderphonic works the sampled material is often the only sound used. These samples are usually uncleared, and sometimes result in legal action being taken due to copyright infringement (some plunderphonic artists use their work to protest about what they consider to be overly-restrictive copyright laws). Many plunderphonic artists claim their use of other artists' materials falls under the fair use doctrine.

The name was first used as the title of an EP release by John Oswald. Oswald's original use of the word was to indicate a piece which was created from samples of a single artist and no other material. Influenced by William S. Burroughs' cut-up technique, he began making plunderphonic recordings in the 1970s. In 1988 he distributed copies of the Plunderphonics EP to the press and to radio stations. It contained four recordings: "Don't" was an edited version of an Elvis Presley record; "Pocket" was based on a Count Basie track; "Pretender" featured Dolly Parton singing "The Great Pretender" but progressively slowed down so that she sounds like a man; and "Spring" was an edited version of Igor Stravinsky's The Rite of Spring, shuffled around and with different parts played on top of one another.

In 1989, a greatly expanded version of Plunderphonics with twenty tracks was released - as on the EP, each track took material by just one artist, and included reworked material by both popular musicians like The Beatles, and classical works, such as Ludwig van Beethoven's Symphony No. 7. Like the EP, it was never put on sale. A central idea behind the record was that the fact that all the sounds were "stolen" should be quite blatant. The packaging contained sources for all samples used, but authorisation for them to be used on the record was neither sought nor given. All undistributed copies of Plunderphonics were destroyed after a threat of legal action from the Canadian Recording Industry Association on behalf of several of their cleints (notably Michael Jackson, whose "Bad" had been chopped into tiny pieces and rearranged as "Dab") who alleged copyright abuses. All the tracks from Plunderphonics are available for free download from Oswald's website.

Later works by Oswald, such as Plexure, which lasts just twenty minutes but is claimed to contain around one thousand very short samples of pop music stitched together, are not strictly speaking "plunderphonic" according to Oswald's original conception (he himself used the term megaplundermorphonemiclonic for Plexure), but the term "plunderphonic" is used today in a looser sense to indicate any music completely - or almost completely - made up of samples. 69 Plunderphonics 96 is a compilation of Oswald's work, including tracks from the original Plunderphonics CD.

Another important early purveyor of what can be described as plunderphonics were Negativland. While Oswald used easily recognisable and familiar sources, Negativland's sources were sometimes more obscure. 1983's A Big 10-8 Place, for instance, is made up of recordings of people talking on the radio. Their next album, Escape From Noise, like most of their later records, also makes extensive use of spoken-word samples, often to make particular political points. Their most famous release, "The Letter U and the Numeral 2" featured an extended rant from radio DJ Casey Kasem and extensively sampled U2's "I Still Haven't Found What I'm Looking For", which resulted in a law-suit being brought by U2.

Oswald and Negativland both made their collages by cutting up magnetic tape (or later using digital technology), but a number of DJs have also produced plunderphonic work using turntables (and in fact, "digging" for samples plays a large part in DJ culture). Christian Marclay is a turntablist who has been using other people's records as the sole source of his music making since the late 1970s. He often treats the records in unusual ways - for example, he has physically cut up a number of records and stuck them together, making both a visual and aural collage. Sometimes a number of spoken-word or lounge music records bought from thrift stores are mashed together to make a track, but his More Encores album cuts up tracks by the likes of Maria Callas and Louis Armstrong in a way similar to Oswald's work on Plunderphonics. Marclay's experimental approach has been taken up by the likes of Otomo Yoshihide, Philip Jeck and Martin Tétreault (although sometimes the records used are heavily disguised and unrecognisable, meaning the results cannot properly be called plunderphonics). Other DJs have worked in a more mainstream style: DJ Food (Kaleidoscope, for example) and DJ Shadow (Entroducing, for example) have both made albums consisting entirely of material plundered from other records.

The Bran Flakes and People Like Us have both used thrift-store (or charity shop) records to create their music. Vicki Bennett of People Like Us has extended the plunderphonic ideal to video, creating films to accompany her music by plundering the resources of the Prelinger Archives, the online part of the collection of film archivist Rick Prelinger.

Another approach is to take two very different records and play them simultaneously. An early example of this is the Evolution Control Committee's Whipped Cream Mixes (1994), which laid the vocals from Public Enemy's "Rebel Without a Pause" over Herb Alpert's "Bittersweet Samba." This gave rise to the so-called "bootlegging" phenomenon where an a cappella version of one song is mixed on top of a purely instrumental version of another. Soulwax and Richard X have both produced records along these lines.

There are also a number of web-based plunderphonics projects. The Droplift Project created a compilation CD of plunderphonic works which was then "droplifted" into record stores (this involved slipping copies of the record onto the shelves without knowledge of the store - a sort of reverse stealing). Dictionaraoke took audio clips from online dictionaries and stitched them together so they recited the words of various popular songs while instrumental versions of the music (often in MIDI renderings) played along.

Although the term plunderphonics tends to be applied only to music made since the 1980s and Oswald's coinage of it, there are several examples of earlier music made along similar lines. Notably, Dickie Goodman and Bill Buchanan's 1956 single "The Flying Saucer", features Goodman as a radio reporter covering an alien invasion interspersed with samples from a number of contemporary records. The Residents' "Beyond The Valley Of A Day In The Life" is made up of excerpts from Beatles records. A number of club DJs through the 1970s re-edited the records they played, and although this often consisted of nothing more than extending the record by adding a chorus or two, this too could be considered a form of plunderphonics.

Some classical composers have exercised a kind of plunderphonia on written, rather than recorded, music. Perhaps the best known example is the third movement of Luciano Berio's Sinfonia, which is entirely made up from quotes of other composers and writers. Mauricio Kagel has also made extensive use of earlier composers' works. Earlier composers who often plundered the music of others include Charles Ives (who often quoted folk songs and hymns in his works) and Ferruccio Busoni (a movement from his 1909 piano suite An die Jugend includes a prelude and a fugue by Johann Sebastian Bach played simultaneously).

mardi 2 septembre 2008

F***ckin' Brilliant !


L'album de la rentrée sur lequel on craque: Metronomy "Nights Out!"

en écoute: "heartbreaker - discodeine mix"

à voir (et non ce n'est pas la nouvelle vidéo de New Order):

mercredi 20 août 2008

OK LET'S ROCK !


1. grinderman: get it on

2. the tropic of cancer: upside down

3. hipbone slim & the knee tremblers: i hear an echo

4. gene vincent: crazy beat

5. ???

6. the strangeloves: i want candy

7. michael dracula: what can i do for you?

8. jon spencer & solex: complication

9. alexander hacke: i hate you

10. nick cave & the bad seeds: night of the lotus eaters

11. S.Y.P.H.: oh, how to do now?

12. tom waits: all stripped down

13. clinic: you can’t hurt you anymore

14. the comen’go: the life you have it’s ok

15. the cramps: tv set

16. the trashmen: surfin’ bird

17. the fall: industrial estate

18. buzzcocks: noise annoys

19. ???

20. the girls: rush

21. les george leningrad: george five

22. panico: ice cream

23. the electric mocassins of doom: the neighbours

24. tom vek: if i had changed my mind

compiled at the Mucho Bizarre Lab. 2008

CLICK here TO DOWNLOAD OR YOU COULD FIND ON FAIRTILIZER: here

samedi 9 août 2008

vendredi 1 août 2008

Ivory & Ebony


Ebony Bones, née Ebony Thomas et actrice à ses débuts, enfile son costume de chanteuse après son rôle dans le soap anglais Family Affairs (de 1998 à 2005). Désignée "femme la plus sexy" trois ans de suite aux British Soap Awards et remarquée dans ses rôles pour son goût pour la mode, la jeune femme prend un tournant dans sa carrière en se consacrant à la musique. Musique qu'elle écrit, interprête et produit elle-même. Musique généreuse qualifée de nu clash, de post punk funk...(la presse musicale se chargera de lui trouver une étiquette). Impossible la de réduire à une seule expression, Ebony Bones le savait au début de cette aventure quand elle déclarait qu'elle voulait que ses productions sonnent comme si "le Pop Group rencontrait Grace Jones qui auraient rencontré ESG ". Ces trois groupes ayant eux-mêmes repoussé les barrières musicales tout au long de la carrière, Ebony Bones donne l'impression d'une exhaustivité, d'une boulimie d'influences qui font que rockeurs, fluo kids, hip-hop dancers, quadra sur le retour y trouvent leur compte.

Ebony Bones : We Know All About U

mardi 29 juillet 2008

That's What I Want ! Right Now !

Dur d'être "fauché comme un rat mort" en plein été (dixit Thomas de chez Bullitt), les vacances se sera pour une prochaine fois. Il me semble avoir dit la même chose l'été dernier et celui d'avant...

mercredi 23 juillet 2008

This Is Not A Love Song

Dead Kennedys "Too Drunk, To F***k !!!"

mardi 8 juillet 2008

Un pavé dans le lit !


Voilà c'est l'été et j'ai décidé de m'attaquer à une lecture longue et indienne.
DrK Delicatessen "Indian Connection Mix"

jeudi 3 juillet 2008

Putain j'ai la tremblote

Emperor Machine Live Les Siestes Electroniques'08 filmed by Art?No! http://www.myspace.com/beemicelf

jeudi 26 juin 2008

She is so... Bizarre



http://www.myspace.com/planningtorock

20 Phone Calls To Get The Keys Playlist (06/24/2008)

FAUST: Just A Second (Starts Like That!) - Rough Trade Shops Electronic 01-Rough Trade
C.O.M.A.: Verre - IVG - Born Bad
ROGER ROGER: N°15 - Alexis Le Tan & Jess present Space Oddities - Permanent Vacation
Four Tet: Wing Body Wing - Ringer- Domino
anja SCHNEIDER: Cascabel - Beyond The Valley - Mobilee
ELLEN ALLIEN: It's (promo edit) - MP3 - BPitch Control
STRINGS OF CONSCIOUSNESS: Forest Of Spades - Fantosmatique Acoustica - Off Label
Butch: Turkey - Great Summer Games Stuff - Great Stuff Recordings
KLANGUAGE: All This Time (Yukesk Vs Invaders rmx) - 12" - Rise Recordings
DATA: Rapture (The Skywriters rmx) - 12" - Ekler'oshock/Naïve
IN THE CLUB: Turn You On (Headman rmx) - 12" - Temps d'Avance
SEBASTIEN TELLIER: Divine (Midnight Juggernauts rmx) - 12" - Record Makers
TALKING HEADS: Making Flippy Floppy (Jellybean Benitez rmx) - 12" Sire

mercredi 18 juin 2008

19° Est-Ouest Playlist (06/18/2008)

FLYING LOTUS: Camel - Los Angeles- Warp
LA DÜSSELDORF: Geld - Viva - Strand
PANOPTIKUM: Glückskugel - Elaste Vol.2 - Compost
PADDED CELL: Word Of mouth (Binary Chaffinch Rework) - 12" -DC Recordings
CARL CRAIG/ZOOS IN BERLIN: Looking For Water - Life Beyond Mars-Bowie Covered - Rapster Rec.
DEVO: Gut Feeling -
We Are Not Men, We Are DEVO - Virgin
UNCLE O: 808 Melody - lp - I'm A Cliché
ROOTS MANUVA: Buff Nuff - 12" - Big Dada
BUSY P.: To Protect & Entertain (Crookers rmx) - Pedrophilia - Ed Banger
HOT CHIP: One Pure Thought (Todla T rmx) - 7" - EMI
JENNIFER CARDINI & SHONKY: Tuesday Paranoia (Jamie Jones mix) - MP3 - Crosstown Rebel
LIL TONY: Cosmic Afro (Dub Version) - 12" - Versatile
ZOMBIE ZOMBIE: Psychic Harmonia 2 - A Land For Renegades - Versatile

lundi 16 juin 2008

mercredi 11 juin 2008

18 L'Âge De Raison Playlist (10/06/2008)

ANIMAL COLLECTIVE: Water Curses-Water Curses EP- Domino
PTÔSE: Ecraser La Vermine-Ignobles Limaces-AYAA
LEILA: Little Acoms-Blood, Looms & Blooms-Warp
INFINITE LIVEZ VS STADE: Public Ultra Image Magnetic-Morgan Freeman's Psychedelic Semen-Big Dada
DAEDELUS: Hrs:Mins:Secs (Etan's Greenwich Mean Report)-12”-Ninja Tune
APPARAT: Hold On (Modeselektor rmx)-MP3-Infiné
RAY MANG: To And Fro-Mangled-Eskimo Recordings
RUTS DC VS MAD PROFESSOR: Push Yourself – Make It Work-Rhythm Collision Dub vol.1-ROIR
LOTTERGIRLS: The Day The World Turned Dayglo-Right On-TNT/Ministry Of Sound ARBEID ADELT: Death Disco (Mayaku’s Break It mix)-MP3-Play Out!
LADYTRON: Season Of Illusion-Vociferos-Netwerk
PONI HOAX: Hypercommunication (Joakim’s Cartoon Muscles mix)-MP3-Tigersushi
BLACK DEVIL DISCO CLUB: Open The Night-Eight Oh Eight-LO Recordings
LAURENT GARNIER: Back To My Roots (Radio Edit)-MP3-Innervisions
FAUST: Party 10-BBC Sessions+-ReR Megacorp
THE SKULL: Forever Ever-MP3-Kindisch
CUT COPY: Nobody Lost, Nobody Found-In Ghost Colours-Modular

lundi 9 juin 2008

jeudi 5 juin 2008

Ptôse - Ecraser la vermine



Un titre d'actualité, n'est-ce pas?

mercredi 4 juin 2008

MUCHO BIZARRE – Dit Sept Playlist (03/06/2008)

RENFRO: Half-Life Of Happiness - Mathematics - Meltwater Rec.
GOBLIN: Zombie - Dawn Of The Dead - Varèse Sarabande
FOUR TET: Ribbons - Ringer EP - Domino
THROBBING GRISTLE: Distant Dreams Pt.2 - D.I.Y. - Soul Jazz
THE TING TINGS: Great DJ - We Started Nothing - Sony BMG
ADAM KESHER: Local Girl - Heading For the Hills… - Disque Primeur
GONG GONG: Caravane - Mary’s Spring - FCom
THE CHAP: Fun & Interresting - MP3 - LO Recordings
LADYTRON: Predict The Day - Vociferos - Netwerk
SANTOGOLD: I’m A Lady - Santogold - Lizard King
GHISLAIN POIRIER: Ignadjossi feat. Jhonel - No More Blood - Ninja Tune
JUNESEX: Boy With Your Tongue - 12" - J.I.A.
AURAL EXCITERS: Emile (Night Rate) - Going Places The A. Darnell Years 74-83 - Strut Rec.
PADDED CELL: Word Of Mouth (The Glimmers Dub) - 12" - DC Recordings
JAMIE LLOYD: Bidi Bidi Bom Bwah (Betaville Orchestra rmx) - More Trouble - Future Classics
DAVID K.: Western Journey feat. Opium - MP3 - Freack n'Chic
CHIC MINIATURE: Chanchita 320 - MP3 - Musique Risquée

mardi 3 juin 2008

DJ Morpheus - Punk Funk/Rock Disco Radio Session


We're proud to be his friend. DJ Morpheus http://www.myspace.com/djmorpheusakasamy

DJ Morpheus - Punk Funk/Rock Disco Radio Session (download here)

tracklisting:
Mark Stewart & Adam Sky - Parasite
Michoacan - Held Up (Naum Gabo rmx)
Headman feat. Jeremy Kerr (ACR) - Dreampieces
Cazals - Life Is Boring (Ali Love Harder mix)
Prinzhorn Dance School - You're The Space Invader (Optimo Espacio rmx)
Think Almost Twice - Chikiba
Shy Child - Summer (Infadels rmx)
Dead Soul Brothers - Yeah Yeah Yeah
Rove Dog & Golden Bug - Radio SSG (Rove Dog rmx)
Alloy Mental - Alloy Mental
Interpol - The Heinrich Maneuver (Phones rmx)

vendredi 30 mai 2008

Jettez un oeil là-dessus...



et oui, on ne se refait pas, chacun aime The Residents à sa façon !

NB: téléchargez le morceau ci-dessous avant de regarder la vidéo

The Residents : "Teddy" (extract from Prelude to "The Teds"-1993)

mercredi 28 mai 2008

MUCHO BIZARRE – 16 again Playlist (05/27/2008)

Frustration: Too Many Questions - Born Bad Records Presents... EP - Born Bad
clinic: Memories - Do It! - Domino
muscleheads: Phosphorescence - Death Before Distemper 2 - DC Recordings
adam kesher: South - Heading For the Hills…- Disque Primeur
justice: Stress Autoremix - Ed Rec. Vol.3 - Ed Banger
gong Gong: Beatle Fish - Mary Spring - FCom
Gila: Aggression - Gila - Second Battle
Quiet Village: Victoria’s Secret - Silent Movie - !K7
infinite livez vs Stade: I Was A Saddam Body Double Pt.2 - Morgan Freeman’s Psychedelic Semen - Big Dada
Flying Lotus: Breathe - Los Angeles - Warp
Black Devil Disco Club: For Hope - Eight Oh Eight - LO Recordings
Tetine: Russian Roulette - Let Your Xs Be Ys - Soul Jazz
Seelenluft: The World Thought - Birds & Plants & Rocks & Things - Gigolo
Booka Shade: Dusty Boots - The Sun & The Neon Light - Get Physical
JUNESEX:
The Ballad Of Tom Scraw Chloé rmx - 12" - J.I.A.

JINGLES:
Spectrometers / Black Devil Disco Club / The Method

mercredi 14 mai 2008

MUCHO BIZARRE – 15 Levels Of Magnification Playlist (05/13/2008)

Renfro: Map Of Missing Things - Mathematics - Meltwater Rec.
Tojiko Noriko: Magic - Solo - Mego
Leila: Mettle - 10” - Warp
Junesex: The Ballad Of Tom Scraw - 12” - J.I.A.
Wagon Christ: Fly Swat -Tally Ho! - Virgin
Sebastian: Dog - Ed Rec. Vol.3 - Ed Banger
Dorine_Muraille: Le Trip feat. Chloé Delaume - I Regret Not Having - Doki Doki
Uncle O: 808 Melody - LP - I’m A Cliché
The Clash: Radio 5 - 12“ - CBS
La Caution: Code Barre - Future Sound Of Hip Hop - Wagram Electronic
Lottergirls: I Can Hear Music (La Coma ost) - Right On! - TNT
Thabo: Take Root - Drumpoems Verse 1 - Drumpoets Community
Freddie Mas: Tails Of Prevalence - Sounds Superb 3 - Codek
Emperor Machine: Introduction - Death Before Distemper 2 - DC Recordings
Poni Hoax: Antibodies - Images Of Singrid - Tigersushi
The Hygrades: In The Jungle - Nigeria Rock Special - Sound Way

Jingles: Ergo Phizmiz / The Oscillation / Die alten Maschinen

Here Are The Young Men


Qui va m'offrir le DVD pour mon anniversaire du 14/06 ? Hein ! qui?
Trôt tard je l'ai trouvé d'occasion, je ne pouvais pas attendre.... Et c'est toujours aussi bien.

Joy Division : She’s Lost Control (Tronik Youth shred it edit)

Mucho Bizarre Total 240 Playlist (05/06/2008)

Tupolev: Short Reminder - Memories Of Björn Bolssen - Valeot Rec.
Eric Satie: Gymnopédies n°3 - Parade - CBS Classic
Little Dragon: Twice - Boogybites Vol.4 Ellen Allien Mix - BPitch Control
Autechre: FwzE - Quaristice - Warp
Noisia & The Upbeats: Creep Out Dub - Fabriclive.40 - Noisia/Fabric
Busy P. Feat. Murs: To Protect And Entertain - Ed Rec. Vol.3 - Ed Banger
Daedelus: Make It So (XXXChange rmx) - 12" - Ninja Tune
Reverse Engineering: DTTR Total Terror mix - 12" - Jarring Effects
Munk Feat. Asia Argento: Live Fast! Die Old! - 12" - Gomma
Poni Hoax: My Own Private Vietnam - Images Of Singrid - Tigersushi
Muscleheads: Phophorecence - Death Before Distemper 2 - DC Recordings
Sonic Youth: Agnès b. Musique (extract) - Visions Musicales - SYR
Ruth: Mots - De Jeunes Gens Mödernes - Naïve/ Agnès b.
The Stranglers: Meninblack - The Raven - EMI
THE Skull: Lalala - MP3 - Kindisch
Rainer Werner Bassfinder: Roses Are Red - MP3 - Turbo

Jingles: Nadine & Charlie/Gary Martin/Tronik Youth

Richard Heslop - Floating (39min. 41sec.)



http://www.richardheslop.com/

jeudi 1 mai 2008

Mucho Bizarre 13 Lucky/Unlucky Playlist 04/29/2008

The [Hypothetical] Prophets : I Like Lead - Around The World With The H.P. - Epic
The Beach Boys : Mrs O’Leary’s Cow - Smile - Sea Of Tunes
Portishead : Machine Gun - 12” - Mercury
Anne Laplantine : My Real Name - Care - Tomlab
Alexander Tucker : Rodeo In The Sky - Custom Made - ATP/R
Aerial M : Wedding Song - 12”- Domino
Santogold : Creator (vocal) - L.E.S. Artistes - Lizard King
Battles : Race In - Mirrored - Warp
Asiko Rock Group : Lagos City - Nigeria Disco Funk Special - Sound Way
The Residents : Gotta Gotta Get - The Big Bubble - Ralph Rec.
Reverse Engineering : Stupid Planet - DTTR - Jarring Effects
Von Süddenfed : The Rhinohead (Pilooski edit) - 12” - Domino
Metronomy : My Heart Rate Rapid - 12” - Because
Ray Mang : To And Fro - - Computer Incarnation For World Peace 2 - Sonar Kollektiv
Sam Sparo : Black & Gold (Phones Hard As Diamond mix) 12”CD - Modus Vivendi Music

Jingles : Jason Edwards/The Spectrometers/Gigi Succès

mercredi 23 avril 2008

Fist Thought, Best Thought


Charles Arthur Russell Jr. (1952 – April 4, 1992) was an American cellist, composer, singer, and disco artist. While he found the most success as a dance music artist, Russell's career bridged New York's downtown, rock, and dance music scenes; his collaborators ranged from Philip Glass to David Byrne to Nicky Siano. Relatively unknown during his life, a series of reissues and posthumous releases has raised his profile in recent years.

Russell was born and raised in Oskaloosa, Iowa, where he later studied the cello and began to write his own music. When he was 18 he moved to San Francisco, where he lived in a Buddhist commune and studied North Indian music at the Ali Akbar College of Music. He met Allen Ginsberg, with whom he began to work, accompanying him on the cello while Allen sang or read his poetry.

In 1973, Arthur Russell moved to New York and began study at the Manhattan School of Music, also working as The Kitchen's musical director. He formed a band from 1975–1979, The Flying Hearts, recorded by John Hammond, which consisted of Arthur (keyboards, vocals), ex-Modern Lovers member Ernie Brooks (bass, vocals), Larry Saltzman (guitar), and David Van Tieghem (drums, vocals), with a later incarnation in the 1980s that included Joyce Bowden (vocals) and Jesse Chamberlin (drums). He contributed to The Flying Hearts in studio work and, occasionally, in performance with David Byrne, Rhys Chatham, Jon Gibson, Peter Gordon, Jerry Harrison, Garret List, Andy Paley, Leni Pickett and Peter Zummo. From 1975 to 1979 this ensemble, together with Glenn Iamaro, Bill Ruyle and Jon Sholle, performed and recorded the orchestral composition of Instrumentals (Disques du Crepescule, 1984, Belgium).

In 1979, Arthur wrote and produced “Kiss Me Again” under the name Dinosaur. It was the first disco single to be released by Sire Records, and the first of many of Arthur's innovative dance tunes. This was followed by “Is It All Over My Face” by Loose Joints, released in 1980. In 1981, Arthur Russell and William Socolov founded Sleeping Bag Records and their first release was his 24-24 Music. The number “Go Bang”, which originated from this album, was re-mixed as a 12" single by Francois Kevorkian. These songs were all frequently played at Larry Levan's Paradise Garage; in particular, Levan's remix of "Is It All Over My Face" (one of his earliest remixes) has been recognized as a prototype of garage music.

In 1983, the album "Tower of Meaning" (Chatham Square) was released. This compelling and meditative recording, conducted by Julius Eastman, represents just a fragment of a much larger composition, which includes voices along with its instrumentation.

At the same time, Arthur continued to release dance singles such as “Tell You Today” (4th and Broadway, 1983) an upbeat dance groove featuring the vocals of Joyce Bowden. Additional dance tunes included Wax the Van (Jump Street, 1985) with vocals by Lola Blank, “Treehouse/Schoolbell” (Sleeping Bag, 1986) and “Let's Go Swimming” (Upside/Rough Trade, 1986).

During the mid 1980s, Arthur Russell gave many performances, either accompanying himself on cello with a myriad of effects, or working with a small ensemble consisting of Mustafa Ahmed, Steven Hall, Elodie Lauten and Peter Zummo.

1986 saw the release of 'World of Echo” (Upside/Rough Trade, 1986), which incorporated many of his ideas for pop, dance and classical music for both solo and cello format. The album was well-reviewed in Britain and included in Melody Maker's "Top Thirty Releases of 1986".

Arthur also collaborated with a number of choreographers, including John Bernd, Diane Madden, Alison Salzinger and Stephanie Woodard.

Arthur Russell died of AIDS on April 4, 1992, at the age of 40. In an April 28 column, Kyle Gann of The Village Voice wrote: "His recent performances had been so infrequent due to illness, his songs were so personal, that it seems as though he simply vanished into his music."

Russell was prolific, but was also notorious for leaving songs unfinished and continually revising his music. Ernie Brooks said that Russell "never arrived at a completed version of anything," while Peter Gordon stated, "his quest wasn't really to do a finished product but more to do with exploring his different ways of working musically". He left behind more than 1,000 tapes when he died, 40 of them different mixes of one song.

In 2007, “This Is How We Walk On The Moon”, a song which appears on the 1994 album "Another Thought", was used in a UK television commercial for T-Mobile. Also in 2007 the artist Johanna Billing exhibited a video of the same title, which included a cover of the song, at Documenta 12 in Kassel and at a gallery in Edinburgh.

A new documentary on Arthur by filmmaker Matt Wolf entitled Wild Combination: A Portrait Of Arthur Russell has been completed and will be screening at film festivals in 2008. The world premiere was at the Berlin International Film Festival in February, 2008.

http://www.myspace.com/anotherthought

lundi 21 avril 2008

Wild Women And The Savages


BORNED AFTER FEW NIGHTS OF LUXURY BETWEEN A WHITE MALE KING OF ROCK AND A BLACK GODDESS BEAUTY, HERE IS... THE WILD WOMEN AND THE SAVAGES !!!
http://www.myspace.com/wildwomenandthesavages

Viva La Rock'n'Roll

Smoke on water - Japan version

dimanche 20 avril 2008

Fathers & Sons

The Monks - Oh, How to Do Now?

Clinic - 'If You Could Read Your Mind'

mercredi 2 avril 2008

Notre Jeunesse Retrouvée !

La compilation Des Jeunes Gens Mödernes associe les groupes incontournables de la scène new & cold wave française (Marquis de Sade, Elli et Jacno, Taxi Girl, Marie et les garçons, Artefact, Suicide Roméo, Mathématiques,Modernes, Charles de Goal…) à diverses formations beaucoup plus obscures, aux noms évocateurs et aux carrières souvent météoriques, qui n’ont pour la plupart sorti qu’un ou deux 45 tours, souvent autoproduits, quelques titres sur des compilations régionales ou, au mieux, un unique album (Guerre froide, Ruth, Les provisoires, End of data, Perspective Nevski, Masoch, Les Fils de Joie…). Sur les 40 morceaux que rassemble cette compilation beaucoup n’ont jamais été réédités et certains, disponibles uniquement en vinyle, sont devenus aujourd’hui très difficiles à trouver. Visant à dépasser les frontières du cercle restreint des collectionneurs avertis, ce projet est l’occasion de faire accéder un plus large public à toute une partie du patrimoine musical pop français (finalement assez méconnue en dehors d’une poignée de groupes marquants qui ont fait carrière ou qui, du fait de leur succès ponctuel à l’époque, sont restés dans les mémoires au fil des années). On y retrouve en outre 4 titres totalement inédits : le « 24 fois par seconde » de Marie et les garçons, enregistré live lors du concert organisé pour les 10 ans du label New Rose en 1990 (pour la petite histoire, les membres de ce combo lyonnais culte et précurseur n’avaient pas rejoué ensemble depuis 15 ans avant cet événement, et leur reformation du groupe pour cette unique date fut le dernier concert officiel de Marie et les Garçons). Autre inédit, « Manekine », morceau créé en1979 par la formation éphémère (composée d’Edwige Belmore, Claude Arto et Henry Flesh) qui précéda Mathématiques Modernes. Toujours inédit et resté jusque là à l’état de démo au fond d’un carton, le « Jungle Soho » de End Of Data, trio rennais avant-gardiste, actif de 1983 à 1986, qui a brillamment préfiguré toute la vague electro/minimal synth. Et enfin, une version alternative du « Burger City » de Casino Music, groupe phare du label ZE Records, qui enregistre dès 1978 son premier single autoproclamé after punk, et dont un des membres, Gilles Riberolles, collaborera notamment avec David Bowie, Blondie et James Chance. Opérant avec l’élégance et la sophistication qui lui sont propres la transition entre le passé (1978) et le présent (2008), Jangil Callas, avec la complicité de Patrick Vidal, nous livre par ailleurs une version réactualisée de « W.S.B. », le morceau culte d’Electric Callas, qui évoque si bien à travers ses lyrics énigmatiques et futuristes un des auteurs les plus sulfureux de la contre culture américaine.Le dernier quart du track list regroupe quant à lui des reprises de titres de l’époque par des groupes actuels qui revendiquent chacun à leur manière cet héritage musical. Ainsi Poni Hoax reprend « Wanda’s loving boy » de Marquis de Sade, The Penelopes featuring Chloé Delaume revisite « je t’aime tant » d’Elli et jacno, Sandy Trash s’attaque à « Fier de ne rien faire » des Olivensteins, Toma featuring Henning nous livre sa version du « Moment of Hate » de Perspective Nevski, DC Shell réinterprète « chercher le garçon » de Taxi girl et Dry Monopole rend hommage à Octobre à travers une reprise groovy d’« Elégante solution ».

CD 1

1 Perspective Nevski – "Moment Of Hate"

2 Mécanique Rythmique – "Extase"

3 Guerre Froide – "Ersatz"

4 Artefact – "Sex Computer"

5 Modern Guy – "Electrique Sylvie"

6 Marquis de Sade – "Cancer & Drugs"

7 Suicide Romeo – "Moderne Romance"

8 Etienne Daho – "Il ne dira pas"

9 Lizzy Mercier Descloux – "Torso Corso"

10 Medikao – "Détective"

11 Tokow Boys – "Elle hotesse"

12 Henriette Coulouvrat – "Can’t You Take A Joke? "

13 Charles de Goal – "Exposition"

14 Procédé – "D. Moments"

15 Seconde Chambre – "Victoires prochaines"

16 Les Provisoires – "So Much More"

17 Taxi Girl – "V2 sur mes souvenirs"

18 Marie et les Garçons – "24 fois par seconde"

19 Les Fils de Joie – "Adieu paris"

20 Masoch – "Des poils sur moi"

CD 2

1 Elli & Jacno – "Main dans la main"

2 Ruth – "Mots"

3 International Sin – "The Bal"

4 End Of Data – "Jungle Soho"

5 Kas Product – "man of time"

6 MKB Fraction Provisoire – "Fights In Technonights"

7 Metal Boys – "Tokio Airport"

8 Mathématiques Modernes feat. Henry Flesh – "Manekine"

9 Visible – "Essor assuré"

10 Norma Loy – "Romance"

11 Martin Dupont – "Just because"

12 Tanit – "Eyes Scream"

13 Casino Music – "Burger City" (alternative mix)

14 Electric Callas feat. Patrick Vidal – "W. S. B." (version 2008)

15 Poni Hoax – "Wanda’s Loving Boy" (Marquis de Sade cover)

16 DC Shell – "Chercher le garçon" (Taxi Girl cover)

17 The Penelopes feat. Chloé Delaume – "Je t’aime tant" (Elli & Jacno cover)

18 Sandy trash – "Fier de ne rien faire" (Les Olivensteins cover)

19 Dry Monopole – "Elégante solution" (Octobre cover)

20 Toma Feat. Henning – "Moment Of hate" (Perspective Nevski cover)

http://www.myspace.com/desjeunesgensmodernes

et aussi http://www.myspace.com/bornbadrecords

Nini Raviolette : "Suis-je Normale?"

dimanche 30 mars 2008

What on Earth is a Kyoka?

Simply a solo artist whose cut-up-and-dance laptop electronica suggests more screwsloose than fully tightened? Her style has seen her labelled as anything from a pop idol toa noise artist. And as it is usually the way, the truth lies somewhere in between. Starting her solo career at university as a side-project to her school band, Kyokaquickly found herself favouring ever-more unusual outlets for her scatterbrain sound.Finding J-pop utterly unpalatable, she began to look overseas, finding live shows in Europe and the US as well as presenting her own show on Britain’s Resonance FM,‘Postcards From Kyoka’.Now preparing an EP for German label Onpa, and with the ‘Spacy Space’ EP on sale in Japan and America, Kyoka is finding fans all over the world – from Japaneseexperimental king Ryuichi Sakamoto, by whom she was invited to join his project, to Stooges/Minutemen bassist Mike Watt, who played her music almost every time of his recent podcast shows and who recorded bass for her sound. Her songs have ranked inthe Top 2, Top 5, Top 20 and Top 50 radio charts in Japan and the US, and Amsterdamfanzine Daruma has described her as a “freestyle broken pop beat artist”, a description that fits nicely, thanks very much.On top of all that, she performs in unhinged female duo Groups, who have also been invitedby Sakamoto to join the other project; has collaborated with Mike Watt (of the Stooges, Minutemen) CurseOvDialect (mush records), PandaNo Panda (Kung Fu Records, Intik),Hypo (Active Suspension, Spymania, Afterhours, Intik) etc.; appears in TV ads forHonda both as musician and model, alongside modelling for Aveda (artistic director is Miho Matuura); columnist for a magazine; and has had music on compilations –ChromeHearts Magazine vol.6,vol.7.-in Japan, Hong Kong and America. Not bad for a girl who“just wanted to follow her honest taste”. “A very talented Asian Artist for the 21st Century” –Last FM
http://www.myspace.com/kyoka

You Are Under My Control

Negativland - Yellow Black Rectangular


23 Skidoo - Kundali

jeudi 20 mars 2008

C'est Chouette Chez Colette



Le jour où Marie Branellec nous a proposé de déposer une carte de visite sonore chez Colette (Paris), nos têtes se sont mises à tourner et des questions nous sont arrivées à grande vitesse : Quoi mettre? Comment présenter ce projet? Fait-il jour ? Quand devrions nous faire ça? Pourquoi nous? Veux-tu encore du café? Je ne suis pas un peu vert là? Te reste-t-il encore de l’ Euphytose pour dormir? C’est qui ça déjà ? Fait-il nuit ?... Enfin toutes sortes de questions qui ne se retrouveront pas forcément sur les 2 mixtapes, Nocturne/Diurne, mais qui en ont sûrement inspiré leurs contenus.

En fait ces projets ont été conçu pour être écouté dans touts types de circonstances voiture, avion, sauna, jacuzzi, galerie d’art, repas,… car nous venons du monde radiophonique avant celui du clubbing. Rien à voir avec la lounge music mais allumez juste votre radio, coupez le son et écoutez nos mixtapes et vous entendrez ce que vous aimeriez entendre plus souvent sur les ondes tout comme nous.

Bonjour chez vous,

Mucho Bizarre

DrK Delicatessen Is Back !!!

Photobucket

lundi 17 mars 2008

Madly Good

I really that kind of music and Ebony Bones is so freaky groovy !
http://www.myspace.com/ebonybones

dimanche 9 mars 2008

Je lis....


Cormac McCarthy "La Route" sombre comme tous les romans de McCarthy, le livre parfait pour passer un dimanche en écoutant Zombie Zombie "A Land For Renegades"...

My Favorite Things Pt.5- Captain Beafheart



Mr Don Van Vliet on his best

Dr K Delicatessen #3- In My Spaceship.mp3

Again an another face of the DrK Delicatessen's audio madness

My Favorite Things Pt.4- Nini Raviolette

mardi 26 février 2008

Interview Uncle O - Toxic Party in Toulouse.mp3


Encore une fois le monde de la nuit local ne sait pas repéré les bons moments. il vous reste juste à écouter l'interview pour mieux connaitre l'univers de Solo & Uncle O. Big Up to Those Freaks !
http://www.myspace.com/toxiccrew

Legrandnimportequoishow Pt.1.mp3


Some radiophonic archive of the wellknown and infamous DrK Delicatessen radio show

lundi 18 février 2008