mercredi 23 avril 2008

Fist Thought, Best Thought


Charles Arthur Russell Jr. (1952 – April 4, 1992) was an American cellist, composer, singer, and disco artist. While he found the most success as a dance music artist, Russell's career bridged New York's downtown, rock, and dance music scenes; his collaborators ranged from Philip Glass to David Byrne to Nicky Siano. Relatively unknown during his life, a series of reissues and posthumous releases has raised his profile in recent years.

Russell was born and raised in Oskaloosa, Iowa, where he later studied the cello and began to write his own music. When he was 18 he moved to San Francisco, where he lived in a Buddhist commune and studied North Indian music at the Ali Akbar College of Music. He met Allen Ginsberg, with whom he began to work, accompanying him on the cello while Allen sang or read his poetry.

In 1973, Arthur Russell moved to New York and began study at the Manhattan School of Music, also working as The Kitchen's musical director. He formed a band from 1975–1979, The Flying Hearts, recorded by John Hammond, which consisted of Arthur (keyboards, vocals), ex-Modern Lovers member Ernie Brooks (bass, vocals), Larry Saltzman (guitar), and David Van Tieghem (drums, vocals), with a later incarnation in the 1980s that included Joyce Bowden (vocals) and Jesse Chamberlin (drums). He contributed to The Flying Hearts in studio work and, occasionally, in performance with David Byrne, Rhys Chatham, Jon Gibson, Peter Gordon, Jerry Harrison, Garret List, Andy Paley, Leni Pickett and Peter Zummo. From 1975 to 1979 this ensemble, together with Glenn Iamaro, Bill Ruyle and Jon Sholle, performed and recorded the orchestral composition of Instrumentals (Disques du Crepescule, 1984, Belgium).

In 1979, Arthur wrote and produced “Kiss Me Again” under the name Dinosaur. It was the first disco single to be released by Sire Records, and the first of many of Arthur's innovative dance tunes. This was followed by “Is It All Over My Face” by Loose Joints, released in 1980. In 1981, Arthur Russell and William Socolov founded Sleeping Bag Records and their first release was his 24-24 Music. The number “Go Bang”, which originated from this album, was re-mixed as a 12" single by Francois Kevorkian. These songs were all frequently played at Larry Levan's Paradise Garage; in particular, Levan's remix of "Is It All Over My Face" (one of his earliest remixes) has been recognized as a prototype of garage music.

In 1983, the album "Tower of Meaning" (Chatham Square) was released. This compelling and meditative recording, conducted by Julius Eastman, represents just a fragment of a much larger composition, which includes voices along with its instrumentation.

At the same time, Arthur continued to release dance singles such as “Tell You Today” (4th and Broadway, 1983) an upbeat dance groove featuring the vocals of Joyce Bowden. Additional dance tunes included Wax the Van (Jump Street, 1985) with vocals by Lola Blank, “Treehouse/Schoolbell” (Sleeping Bag, 1986) and “Let's Go Swimming” (Upside/Rough Trade, 1986).

During the mid 1980s, Arthur Russell gave many performances, either accompanying himself on cello with a myriad of effects, or working with a small ensemble consisting of Mustafa Ahmed, Steven Hall, Elodie Lauten and Peter Zummo.

1986 saw the release of 'World of Echo” (Upside/Rough Trade, 1986), which incorporated many of his ideas for pop, dance and classical music for both solo and cello format. The album was well-reviewed in Britain and included in Melody Maker's "Top Thirty Releases of 1986".

Arthur also collaborated with a number of choreographers, including John Bernd, Diane Madden, Alison Salzinger and Stephanie Woodard.

Arthur Russell died of AIDS on April 4, 1992, at the age of 40. In an April 28 column, Kyle Gann of The Village Voice wrote: "His recent performances had been so infrequent due to illness, his songs were so personal, that it seems as though he simply vanished into his music."

Russell was prolific, but was also notorious for leaving songs unfinished and continually revising his music. Ernie Brooks said that Russell "never arrived at a completed version of anything," while Peter Gordon stated, "his quest wasn't really to do a finished product but more to do with exploring his different ways of working musically". He left behind more than 1,000 tapes when he died, 40 of them different mixes of one song.

In 2007, “This Is How We Walk On The Moon”, a song which appears on the 1994 album "Another Thought", was used in a UK television commercial for T-Mobile. Also in 2007 the artist Johanna Billing exhibited a video of the same title, which included a cover of the song, at Documenta 12 in Kassel and at a gallery in Edinburgh.

A new documentary on Arthur by filmmaker Matt Wolf entitled Wild Combination: A Portrait Of Arthur Russell has been completed and will be screening at film festivals in 2008. The world premiere was at the Berlin International Film Festival in February, 2008.

http://www.myspace.com/anotherthought

lundi 21 avril 2008

Wild Women And The Savages


BORNED AFTER FEW NIGHTS OF LUXURY BETWEEN A WHITE MALE KING OF ROCK AND A BLACK GODDESS BEAUTY, HERE IS... THE WILD WOMEN AND THE SAVAGES !!!
http://www.myspace.com/wildwomenandthesavages

Viva La Rock'n'Roll

Smoke on water - Japan version

dimanche 20 avril 2008

Fathers & Sons

The Monks - Oh, How to Do Now?

Clinic - 'If You Could Read Your Mind'

mercredi 2 avril 2008

Notre Jeunesse Retrouvée !

La compilation Des Jeunes Gens Mödernes associe les groupes incontournables de la scène new & cold wave française (Marquis de Sade, Elli et Jacno, Taxi Girl, Marie et les garçons, Artefact, Suicide Roméo, Mathématiques,Modernes, Charles de Goal…) à diverses formations beaucoup plus obscures, aux noms évocateurs et aux carrières souvent météoriques, qui n’ont pour la plupart sorti qu’un ou deux 45 tours, souvent autoproduits, quelques titres sur des compilations régionales ou, au mieux, un unique album (Guerre froide, Ruth, Les provisoires, End of data, Perspective Nevski, Masoch, Les Fils de Joie…). Sur les 40 morceaux que rassemble cette compilation beaucoup n’ont jamais été réédités et certains, disponibles uniquement en vinyle, sont devenus aujourd’hui très difficiles à trouver. Visant à dépasser les frontières du cercle restreint des collectionneurs avertis, ce projet est l’occasion de faire accéder un plus large public à toute une partie du patrimoine musical pop français (finalement assez méconnue en dehors d’une poignée de groupes marquants qui ont fait carrière ou qui, du fait de leur succès ponctuel à l’époque, sont restés dans les mémoires au fil des années). On y retrouve en outre 4 titres totalement inédits : le « 24 fois par seconde » de Marie et les garçons, enregistré live lors du concert organisé pour les 10 ans du label New Rose en 1990 (pour la petite histoire, les membres de ce combo lyonnais culte et précurseur n’avaient pas rejoué ensemble depuis 15 ans avant cet événement, et leur reformation du groupe pour cette unique date fut le dernier concert officiel de Marie et les Garçons). Autre inédit, « Manekine », morceau créé en1979 par la formation éphémère (composée d’Edwige Belmore, Claude Arto et Henry Flesh) qui précéda Mathématiques Modernes. Toujours inédit et resté jusque là à l’état de démo au fond d’un carton, le « Jungle Soho » de End Of Data, trio rennais avant-gardiste, actif de 1983 à 1986, qui a brillamment préfiguré toute la vague electro/minimal synth. Et enfin, une version alternative du « Burger City » de Casino Music, groupe phare du label ZE Records, qui enregistre dès 1978 son premier single autoproclamé after punk, et dont un des membres, Gilles Riberolles, collaborera notamment avec David Bowie, Blondie et James Chance. Opérant avec l’élégance et la sophistication qui lui sont propres la transition entre le passé (1978) et le présent (2008), Jangil Callas, avec la complicité de Patrick Vidal, nous livre par ailleurs une version réactualisée de « W.S.B. », le morceau culte d’Electric Callas, qui évoque si bien à travers ses lyrics énigmatiques et futuristes un des auteurs les plus sulfureux de la contre culture américaine.Le dernier quart du track list regroupe quant à lui des reprises de titres de l’époque par des groupes actuels qui revendiquent chacun à leur manière cet héritage musical. Ainsi Poni Hoax reprend « Wanda’s loving boy » de Marquis de Sade, The Penelopes featuring Chloé Delaume revisite « je t’aime tant » d’Elli et jacno, Sandy Trash s’attaque à « Fier de ne rien faire » des Olivensteins, Toma featuring Henning nous livre sa version du « Moment of Hate » de Perspective Nevski, DC Shell réinterprète « chercher le garçon » de Taxi girl et Dry Monopole rend hommage à Octobre à travers une reprise groovy d’« Elégante solution ».

CD 1

1 Perspective Nevski – "Moment Of Hate"

2 Mécanique Rythmique – "Extase"

3 Guerre Froide – "Ersatz"

4 Artefact – "Sex Computer"

5 Modern Guy – "Electrique Sylvie"

6 Marquis de Sade – "Cancer & Drugs"

7 Suicide Romeo – "Moderne Romance"

8 Etienne Daho – "Il ne dira pas"

9 Lizzy Mercier Descloux – "Torso Corso"

10 Medikao – "Détective"

11 Tokow Boys – "Elle hotesse"

12 Henriette Coulouvrat – "Can’t You Take A Joke? "

13 Charles de Goal – "Exposition"

14 Procédé – "D. Moments"

15 Seconde Chambre – "Victoires prochaines"

16 Les Provisoires – "So Much More"

17 Taxi Girl – "V2 sur mes souvenirs"

18 Marie et les Garçons – "24 fois par seconde"

19 Les Fils de Joie – "Adieu paris"

20 Masoch – "Des poils sur moi"

CD 2

1 Elli & Jacno – "Main dans la main"

2 Ruth – "Mots"

3 International Sin – "The Bal"

4 End Of Data – "Jungle Soho"

5 Kas Product – "man of time"

6 MKB Fraction Provisoire – "Fights In Technonights"

7 Metal Boys – "Tokio Airport"

8 Mathématiques Modernes feat. Henry Flesh – "Manekine"

9 Visible – "Essor assuré"

10 Norma Loy – "Romance"

11 Martin Dupont – "Just because"

12 Tanit – "Eyes Scream"

13 Casino Music – "Burger City" (alternative mix)

14 Electric Callas feat. Patrick Vidal – "W. S. B." (version 2008)

15 Poni Hoax – "Wanda’s Loving Boy" (Marquis de Sade cover)

16 DC Shell – "Chercher le garçon" (Taxi Girl cover)

17 The Penelopes feat. Chloé Delaume – "Je t’aime tant" (Elli & Jacno cover)

18 Sandy trash – "Fier de ne rien faire" (Les Olivensteins cover)

19 Dry Monopole – "Elégante solution" (Octobre cover)

20 Toma Feat. Henning – "Moment Of hate" (Perspective Nevski cover)

http://www.myspace.com/desjeunesgensmodernes

et aussi http://www.myspace.com/bornbadrecords

Nini Raviolette : "Suis-je Normale?"